Hannah is a multidisciplinary artist whose practice explores the erotic as philosophy as a framework for perception, relation, and consciousness transformation. Working across painting, installation, and sound, she investigates the erotic not as subject matter, but as an attentional force through which image, body, and environment enter dynamic encounter. Central to the practice is an understanding of the sacred feminine as a structural principle rather than a gendered identity: a transmutative intelligence of receptivity, relation, and generative openness. Her works often engage fluidity, tactility, surface, and threshold states, inviting viewers into slowed forms of looking where perception becomes participatory rather than distant.

Through layered materials and immersive environments, Hannah’s practice examines how attention is shaped, dispersed, or intensified within contemporary life. The work proposes experience as a site of reconfiguration, where seeing becomes a mode of contact and consciousness is subtly reorganised through embodied encounter.

Hannah graduated with a Master of Fine Art (Research) in 2013 and a Bachelor of Arts (Honours) in 2010 from the Victorian College of the Arts, University of Melbourne, where she was the recipient of an Australian Postgraduate Scholarship Award. She has shown internationally in Venice, Milan, London, New York, Los Angeles and Hong Kong, as well as in Melbourne and Sydney. Her work is held in important public and corporate collections, as well as private collections throughout Australia, Europe and the USA.